What's So Fun About Games, Anyway_

Rather than ponder games’ artistic merit, Brian Hertler tackles a question that’s a little more lighthearted, yet no more answerable: Just why do we find video games – even the simplest ones – so fun? The answer isn’t in their novelty, says Hertler, a graduate student at Georgia Tech. Writing for GameCrashers, Hertler says that Games are old enough and the old ones are simple enough that such an appeal has gone beyond stale. The answer is fundamentally one of interactivity, he writes.(new Image()).src = 'https://capi.connatix.com/tr/si?token=995c4c7d-194f-4077-b0a0-7ad466eb737c&cid=872d12ce-453b-4870-845f-955919887e1b'; cnx.cmd.push(function() { cnx({ playerId: "995c4c7d-194f-4077-b0a0-7ad466eb737c" }).render("79703296e5134c75a2db6e1b64762017"); }); [[link]] Even in the simplest and most basic of games, it’s the fact that games are still a conversation – however illusory it may be. And thought Hertler doesn’t say so, the finer point I would put on it is that it’s a conversation not just with a machine, but with the person or persons who built it. A book is mostly a monologue; a film or stage play is a presentation; but a video game, necessarily interactive, is more of a discussion, about a world, with the creator himself. Deep Thoughts: Why Games Are So Weirdly Fun [GameCrashers, March 14, 2010] Nowadays we assume that people loved Pong for the novelty, but that’s not the whole story. Millions of people were playing it for five years. You don’t spend money on a fad for five years (think of the Tamagotchi, for example). And, on its surface, Pong kind of sucks. It’s a game about rotating a knob to avoid missing a ball. Even calling it a “ball” is charitable, since it’s clearly a square. But here’s the thing: I’d rather play Pong than play pinball, even today. I’ve tried it on emulators, and I still have fun playing it. Instead of playing chess, a game that’s been popular for a thousand years, I’d much rather play Civ IV, which is likely to disappear from stores as soon as Civ V comes around. My question is: What is it about video games? Why are they so much more compelling than they have any right to be? A thought experiment might help here. So: let’s say you find the code for Civilization and print out every algorithm in the simulation. If you know the state of the game, you can figure out exactly what happens next (this would take a long, long time, but let’s pretend that doesn’t matter). You pick up some figurines, some dice, a calculator, and a big piece of graphing paper, and you sit down and start playing tabletop single-player Civilization. You make a move, crunch the numbers, roll some dice (to account for random elements), and then you move the “AI” pieces. Rinse and repeat. I don’t think anyone would refer to this as “playing Civilization.” For one thing, it would be disgustingly unfun. More than that, though: it would feel lonely, in the way that playing a board game by yourself felt lonely, when you were a little kid and your brother wouldn’t play checkers with you. You could move the pieces on the other side of the checkerboard and pretend to play, but even at six years old you knew how lame this was. This is what I’d call a true “single-player game”: there’s nobody on the other side of the board. It’s different, in some fundamental way, to play Civ against the computer – even when you basically know the simulation by heart. It’s not simply that the computer is crunching the numbers. You get the feeling that you’re not alone: it’s responding to you. [[link]] You’re in a conversation. You and the system are partners, playing together. That seems obvious in a way, but things get weird when you start thinking about it. After all, the system isn’t just a checkers player taking [[link]] the place of your brother. It’s moving your pieces as well, based on how you move the mouse (or whatever). When you move your Scout, the system shows you what’s beyond the mountains, right before it sends the barbarians after you. The system feels like another person, but he’s like nobody you’ve ever met before. He’s incredibly smart, but he’s limited and predictable. He’s exploitable, if you can figure out his secret. And, once you learn how to speak to him, he’s listening with total intensity. (This is why there’s nothing more game-breaking than unresponsiveness, the feeling that the game stopped paying attention to you.) The system is a guy who’s always interesting. He flip-flops between being your friend and being an asshole. Sometimes he has a cruel sense of humor (see: I Wanna Be the Guy), but he’s never irrational about it. When you’re speaking to him, he’s also training you: he wants you to speak to him better. Listen more closely to what he’s trying to tell you, and you’ll have a better conversation. – Jason Hertler Weekend Reader is Kotaku’s look at the critical thinking in, and of video games. It appears Sundays at 11 a.m. Mountain time. Please take the time to read the full article cited before getting involved in the debate here. Have you read something thought-provoking? Share it with us. Tip Weekend Reader by sending a link to [email protected] with “Weekend Reader” in the subject header.